In cities throughout the United States June is Pride, a month to celebrate LGTBQ experience, identity, self-determination, and community. The celebration also commemorates the 1969 Stonewall Uprising, protests against police harassment and violence that were foundational in the Gay Liberation movement. It is also occasion to celebrate LGTBQ filmmakers and filmgoers absolutely paramount contributions to the history of art cinema, from midnight movies, to audiences participation, to the resuscitation of old Hollywood legends as cult figures, much of the vibrancy of the art house community were conceived and nurtured by communities of queer film lovers. This June check out some of the art houses paying tribute to important queer filmmakers and cinema.
Barbara Hammer: The Body in Film, The Wexner Center for the Arts
In addition to presenting the exhibition Barbara Hammer: In This Body, the Wexner Center for the Arts is hosting three programs of work by legendary experimental filmmaker Barbara Hammer. The subject of retrospectives at MoMA and the Tate, and a Teddy Award Winner, Hammer was known for her innovative formal style, lyricism, and pioneering depictions of lesbian intimacy and identity, as well as her political conviction and activism. The programs Mortal Bodies, Sensual Bodies, and Political Bodies explore Hammer’s depictions of physical vulnerability, pleasure, and her efforts to “find the political,” and include her films Nitrate Kisses (1992), A Horse is Not a Metaphor (2009), and Multiple Orgasm (1977). A longtime friend of the Wexner, Hammer passed away earlier this year, during her illness she became a committed advocate for terminally ill people’s right to die.
Paris is Burning, Film Forum, New York, NY
Before Ryan Murphy’s Pose or KIKI there was Paris is Burning. Activist filmmaker Jennie Livingston filmed Paris, a depiction of the city’s underground ballroom scene, in New York in the late 1980s. Pioneered by LGTBQ Black and Latinx activists and artists, Ballroom created a community in which houses, functioning as families, competed in dance, drag, performance, and fashion categories. Ballroom offered, and continues to offer, a platform to innovate performance art, social critique, and a supportive network in the face of homophobia, poverty, and government failure. Livingston’s films captures key figures from the community including house mother Pepper LeBeija, drag queen Dorian Corey, and choreographer Willie Ninja, describing their approach to dance and performance, and highlighting the political potency of assuming the roles of executives and military officials for ball categories. The film continues to provoke important conversations about vouyerism, white filmmakers’ relationships to their subjects, and who profits from documentary, while remaining a moving encounter with inspiring activists and artists. This June the film returns to New York for screenings at Film Forum.
“Since Stonewall,” Trylon Cinema, Minneapolis, MN
The Trylon Cinema in Minneapolis celebrates the anniversary of Stonewall with “Since Stonewall,” a two-screening series featuring presentation of The Boys in the Band (soon to be adapted again by Ryan Murphy), a 1970 film adaptation of the popular off-Broadway play considered one of mainstream film’s first depictions of gay life, and The Celluloid Closet, a seminal documentary about LGTBQ representation in Hollywood Cinema.
Ek Ladki Ko Dekha Toh Aisa Laga, TIFF Bell Lightbox, Toronto, Ontario
TIFF Bell Lightbox presents a screening of Ek Ladki Ko Dekha Toh Aisa Laga, Bollywood’s first lesbian love story and a conversation about representation and inclusivity in Bollywood. Co-written by transgender activist and screenwriter Gazal Dhaliwal, the film is the first to depict Lesbian relationships within the context of a mainstream Indian film (filmmakers including Deepa Metha have previously explored lesbian relationships in indie cinema). Panelists include film programmer Aaditya Aggarwal, and Indu Vashist, Executive Director of the South Asian Visual Arts Center.