TIFF ’19: Art House Convergence Joins the Conversation

By September 11, 2019Art House Advocacy

At TIFF 2019 Art House Convergence Managing Director Alison Kozberg and Programming Track Head Sarah-Tai Black joined conversations at the Industry Conference about the theatrical experience and decolonizing the screen.

The Big Screen: Have Rumors of My Demise Been Greatly Exaggerated?

A panel of industry experts will debate the state of the cinematic experience, discuss industry and audience trends, as well as discuss the new opportunities that today’s marketplace offers.

Alison Kozberg leads Art House Convergence, a North American association for art house cinemas that provides resources and networking opportunities to hundreds of cinema exhibitors each year through its conferences and events. Kozberg was previously director of the Nickelodeon Theatre, where she ran cinema programming and operations. She has also led symposia and special events for a wide range of theatres and museums.

Anick Poirier is co-president at WaZabi Films, licensing quality art-house with crossover potential feature films worldwide. WaZabi Films, a division of DATSIT Sphere Inc., represents Cannes Official Selections Matthias et Maxime (19) and A Brother’s Love (19), to name a few. Poirier was previously senior vice-president for Seville International, eOne’s boutique sales outfits

Matthew Ball is a two-time digital media executive. From 2016 to 2018, he served the global head of strategy for Amazon Studios, and prior to that was a director at the Chernin Group, a digital media investment company founded by long-time Newscorp COO and 20th Century Fox CEO Peter Chernin. Today, he is a venture capitalist focused primarily on interactive media.

Eli Glasner is an arts reporter and film critic with CBC. Each Friday, his reviews can be heard on CBC News Network, as well as his weekly appearances on many local radio shows

Engage @ TIFF: Pan-Africanism in the Caribbean & Decolonizing the Screen

This session focuses on the overlapping yet distinct notions of post-colonialism, pan-Africanism, and the diasporas of the Caribbean, and how they can engage in and maintain a filmic conversation with the African continent. Speakers include Jason Fitzroy Jeffers, Co–Executive Director of Third Horizon, and host Claire Diao, film critic and co-founder of the pan-African film journal Awotélé.


Co-programmed with Engage, a series of panels and think tanks engaged in pertinent, challenging, and multi-faceted questions facing the African film industry now.

Sarah-Tai Black is a film programmer, arts curator, and writer living in Toronto. She is the programming coordinator at Images Festival and has worked as a member of TIFF’s festival programming team. She is also one of the directors of the Royal Cinema, where she programs a monthly series called Black Gold.

Jason Fitzroy Jeffers is a Barbadian filmmaker, writer and co-executive director of the Miami-based Caribbean filmmaking and arts collective Third Horizon. Its annual Third Horizon Film Festival celebrates and empowers the new creatives emerging from the region.

Claire Diao is a French and Burkinabè journalist and film critic. She founded in 2013 the Quartiers Lointains short film touring program, co-founded in 2015 the pan-African film critic magazine Awotele, and has been the CEO of Sudu Connexion since 2016. Her essay, “Double Vague, le nouveau souffle du cinéma français,” was published by Au Diable Vauvert in 2017. She is also a host of the TV talk show Ciné Le Mag on Canal+, Une dose de ciné on France O, and takes part in Le Cercle on Canal+. Diao received the 2018 Beaumarchais Medal from the Société des Auteurs et Compositeurs Dramatiques.

Renee Robinson is the film commissioner of Jamaica and a multilingual creative economy strategist and thought leader. She has two decades of management experience within the verticals of film, television, digital entertainment, and communications, in Canada, Europe, the US, South Africa, and the Caribbean. She holds a master’s in communications and culture with a specialization in the management of telecom innovation, with joint coursework in the MBA in arts management, from York University, and a bachelor’s in art studio and art history from Williams College.